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Yusof Ghani’s Siri Wayang series, created between 1997 and 1999, delves into themes of performance, identity, and societal roles, drawing inspiration from traditional shadow puppetry and theatrical expressions. This series reflects Ghani’s exploration of the human condition and social commentary through abstract expressionism. Ghani’s Siri Wayang series is noted for its dynamic compositions and layered meanings, often interpreted as a reflection on the complexities of human behaviour and societal structures. Ketulan II from the Siri Wayang series is part of this broader body of work that examines the interplay between masks, performances, and the roles individuals play in society.
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