작품 상세

3 3/4 x 112 x 8 1/2 in. Note: This casket is executed in so-called 'bois de Bagard' or 'bois de Sainte-Lucie', a reddish cherrywood with a fine grain which allows for very delicate carving. The name derives from Cesar Bagard (1620-1704), Court Sculptor to Charles IV de Lorraine, at Nancy. Bagard has incorrectly been linked to the production of these wares, which were more likely produced by a family of Nancy sculptors by the name of Foulon. The Benedictine monk Dom Calmet refers to them in a document dated 1751: 'Many small objects are made out of bois de Sainte-Lucie which ware exported abroad. And this occupies numerous workers. The Foulons were famed for this an produced many works for the Dauphin.' (see H. Demoriane, "bois de Bagard', Connaissance des Arts, January 1968, p. 91. In the late 17th century, new royal edicts were implemented ordering the melting down of silver furniture and objects to finance Louis XIV's extensive military campaigns. As a result, other crafts flourished such as earthenware and wood carving, which replaced the objects of silver and precious metals. Nancy craftsman transposed the designs of Jean Le Pautre and Jean Berain, originally intended for silver and carved the entire surface of these objects in low relief.