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Lithograph in colors on vellum Germany, 1968/72 Max Ackermann (1887-1975) - German painter and printmaker Signed and dated lower right in pencil 'Max Ackermann 1968/72' Numbered lower left in pencil '49/100' Verso inscribed with a dedication Dimensions: 55.5 x 40.5 cm (image); 73.9 x 60.2 cm (sheet) Good condition Provenance: German private collection The auction record for a work by Max Ackermann sold at the international auction market currently lies at 58,000 Euros The limited edition (100 copies) of this colorful serigraph was created by Max Ackermann in 1968/72 Our copy is numbered '49/100' and signed by the artist and dated. Ackermann intensified his palette in his late oeuvre, he therefor often used fluorescent colors, as shown here, also for his prints. The sheet bears a dedication in pencil on the verso. It is in good condition. The margins are slightly creased, the color surface with minor cracks due to age. The dimensions of the subject are 55.5 x 40.5 cm, the sheet measures 73.9 x 60.2 cm. Max Ackermann (1887-1975) The German painter and graphic artist Max Ackermann was born in Berlin in 1887. Ackermann studied from 1906 onwards at the art school in Weimar under Henry van der Velde, in 1908 in Dresden at the drawing school of Richard Müller and from 1909 onwards at the Art Academy in Munich under Franz von Stuck. In 1912 Ackermann became a pupil of Adolf Hoelzel in Stuttgart. Strongly influenced by Hoelzel, Max Ackermann developed his painting towards a more abstract style. In the 1920's, he worked as an independent artist in Stuttgart and was well acquainted with important artists such as Adolf Loos, Wassily Kandinsky and George Grosz. In 1936, his works were by the National Socialists defamed as Entartete Kunst. In 1957, Ackermann returned to Stuttgart, after he was given the honorary doctorate by the federal state Baden Württemberg. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C. Diese farbenfrohe Serigrafie hat Max Ackermann 1968/72 in einer limitierten Auflage von 100 Exemplaren geschaffen. Es handelt sich um den Abzug Nummer „49", der vom Künstler signiert und datiert ist. In seiner späten Schaffenszeit gelangte Ackermann in seinen Arbeiten zu einer Intensivierung der Farbigkeit, oftmals verwendete er auch in seinen Grafiken daher „Leuchtfarben". Das Blatt ist verso mit einer Widmung in Bleistift versehen. Es befindet sich in allgemein gutem Zustand. Der Rand weist leichte Knicke auf, die Farboberfläche ist altersbedingt leicht craqueliert. Die Darstellung misst 55,5 x 40,5 cm, die Blattmaße betragen 73,9 x 60,2 cm. Max Ackermann (1887-1975) Der deutsche Maler und Grafiker wurde 1887 in Berlin geboren. Ackermann studierte ab 1906 an der Kunstschule in Weimar bei Henry van de Velde, 1908 in Dresden in der Zeichenklasse von Richard Müller, danach ab 1909 in München bei Franz von Stuck an der Akademie der Bildenden Künste. 1912 trat er dem Schülerkreis von Adolf Hölzel in Stuttgart bei. Von dessen Theorien stark beeindruckt, wandte er sich der abstrakten Malerei zu. In den zwanziger Jahren arbeitete er als Maler in Stuttgart und stand mit den großen Künstlern seiner Zeit wie Adolf Loos, Wassily Kandinsky oder George Grosz in Kontakt. Ab 1936 galten seine Werke als entartet. Erst 1957, als ihm der Professorentitel ehrenhalber durch das Land Baden-Württemberg verliehen wurde, kehrte er nach Stuttgart zurück.