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Valdis Celms (1943), Behind - World Space IA., 1969. negative film. Soviet modernism. Authorised archival digital pigment print of 1969 negative film, 2019. Edition 1/10. 30 x 40 cm ( sheet 32 x 45 cm). Authorised and signed on verso. In his work series Behind - World Space (1969) Valdis Celms used raster films with different evenly arranged dots and lines. Rasters were placed in a custom built rotary construction with a mirror to create effects of optical illusion. The moving images were photographed and stored. During the creation process the artist consulted the latest Soviet and Western literature on psychology, neurosciences, optometry and theories.

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Valdis Celms (1943), “Positron. 3”, Model. 1979/1980. Soviet modernism. Object, original spherical structure.
Valdis Celms · 2019
Valdis Celms (1943), “Positron. 2”, Model. 1978. Soviet modernism. Object, original spherical structure.
Valdis Celms · 2019
Valdis Celms (1943), “Positron. In Balance”, 1976. Soviet modernism. Object, original spherical structure.
Valdis Celms · 2019
Valdis Celms (1943), “Human. Environment. Cosmos”, Photomontage, poster replica,1979/1980. Soviet modernism. Gelatin silver print, aniline. 39,6 x 27 cm
Valdis Celms · 2019
Valdis Celms (1943), “Behind – World Space III”., 1969. negative film. Soviet modernism. Authorised digital print of 1969 negative film, 2019. Edition 1/10. 30 x 37,5 cm (sheet 32 x 45 cm)
Valdis Celms · 2019
Valdis Celms (1943), “Behind – World Space II”., 1969. negative film. Soviet modernism. Authorised digital print of 1969 negative film, 2019. Edition 1/10. 28,5 x 35 cm (sheet 32 x 45 cm)
Valdis Celms · 2019
Valdis Celms (1943), “Behind – World Space IB”., 1969. negative film. Soviet modernism. Authorised digital print of 1969 negative film, 2019. Edition 1/10. 25,5 x 40 cm ( sheet 32 x 45 cm).
Valdis Celms · 2019
Valdis Celms (1943), Diptych. “Prague 1967/1968”. Day. Night”, Photo collage,1968. Soviet modernism. Gelatin silver print, ink, felt-tip pen. Each piece 21,5 x 40, 5 cm (cardboard 33 x 51,5 cm)
Valdis Celms · 2019