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Ronald Ventura (b. 1973) Signed and dated '2009' (lower right) Oil on canvas 213 x 152 cm (84 x 60 in) Literature: Realities: Ronald Ventura, Grafiche Damiani, 2011, p. 76 Isabel Ching, et. al., Without Walls: A tour of Philippine Paintings at the turn of the Millennium, Winrum Publishing, 2010, p. 24, 27 Exhibition: Metaphysics of Skin, 17 September - 31 October 2009, Tyler Rollins Fine Art, New York City, United States Ronald Ventura masterfully captures the dynamic and multifaceted nature of modern life, seamlessly blending socio-anthropological insights with a range of artistic styles, from comic book aesthetics to chiaroscuro. His work delves deep into the underlying tensions and contradictions of human experience, establishing him as one of the most compelling artists of his generation. One of Ventura's notable works, 'Second Skin,' was featured in 'Metaphysics of Skin,' his debut solo exhibition at Tyler Rollins Fine Art, New York in 2009. In this piece, Ventura's technical virtuosity and emotional depth are on full display. It marks a transitional phase in his career, where elements of pop culture and punk aesthetics begin to merge with his signature hyperrealism. The effect is so striking that viewers can almost imagine perspiration seeping from the pores of the hooded figure. Ventura uses the concept of skin as a metaphor to explore the layered complexities of Filipino identity. He examines how historical influences from Spanish, Japanese, and American colonialism, combined with indigenous traditions, have shaped a multifaceted and sometimes conflicted national identity. In Second Skin, the stark contrast between a monochromatic figure and vibrant, colorful graphic elements creates a visually arresting effect. The work reveals multiple layers of cultural and personal significance, with skin symbolizing the dual nature of identity--both hidden and expressed. References: Realities: Ronald Ventura, Grafiche Damiani, 2011 Isabel Ching, et. al., Without Walls: A tour of Philippine Paintings at the turn of the Millennium, Winrum Publishing, 2010, p. 24 - 27