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BERTRAM MACKENNAL 1863-1931 Circe (circa 1902-1904) bronze signed and inscribed ‘KIP KH B. MACKENNAL' on base; inscribed ‘E. GRUET / JEUNE / FONDEUR / PARIS' under base 57 x 27 x 21.8 cm PROVENANCE Bertram Mackennal, London Private Collection Private Collection, New South Wales EXHIBITED The Royal Glasgow Institute of Fine Arts, Glasgow, 1905, no. 854, £53 (another example) The Franco-British Exhibition, London, 1908, no. 1305 (another example) Victorian Artists' Society Exhibition, Athenaeum Gallery, Melbourne, 19 October 1910, no. 1 (another example) International Fine Arts Exhibition, Rome, 1911 (another example) The Royal Glasgow Institute of Fine Arts, Glasgow, 1918 no. 45, £60 (another example) Exhibition of Bronzes by Sir Bertram Mackennal K.C.V.O., R.A., The Macquarie Galleries, Sydney, 7-20 October 1926, no. 10, 150 gns (another example) Exhibition of Bronzes by Sir Bertram Mackennal, Fine Art Society's Gallery, Melbourne, 16-29 May 1928, no. 4 (another example) Memorial Exhibition of Statuettes by the Late Sir Bertram Mackennal, K.C.V.O., Fine Art Society, London, May 1932, no. 26 (another example) Commemorative Exhibition of Works by Late Members: Winter Exhibition, Royal Academy, London, 7 January –11 March 1933, no. 98 (another example) British Sculpture 1850-1914, Fine Art Society, London, 30 September – 30 October 1968, no. 106 (another example) Early Australian Sculpture: From its Beginnings up to circa 1920, Ballarat Fine Art Gallery, Ballarat, December 1976 – 15 March 1977, no. 20 (another example) Australian Sculpture 1890-1919, Art Gallery of New South Wales, Sydney, 22 January – 22 February 1987 (another example) The New Sculpture in Australia: Australian Art Nouveau Sculpture, McClelland Gallery, Langwarrin, 3 May – 5 June 1987, no. 3 (another example) Stampede of the Lower Gods: Classical Mythology in Australian Art 1890s-1930s, Art Gallery of New South Wales, Sydney, 19 October – 26 November 1989 (another example) Reverie, Myth, Sensuality: Sculpture in Britain 1880-1910, City Museum and Art Gallery, Stoke-on-Trent, 26 September – 29 November 1992 (another example) Australian Icons: Twenty Artists from the Collection, Art Gallery of New South Wales, Sydney, 4 August – 3 December 2000 (another example) Exposed: The Victorian Nude, Tate Britain, London, 1 November 2001 – 13 January 2002; Haus der Kunst, Munich, 1 March – 2 June 2002; Kobe City Museum, Kobe, February – May 2003; Geidai Museum, Tokyo, June - August 2003, no. 157 (another example) Bertram Mackennal: The Fifth Balnaves Sculpture Project, Art Gallery of New South Wales, Sydney, 17 August – 4 November 2007; National Gallery of Victoria, Melbourne, 30 November 2007 - 24 February 2008 (another example) Edwardian Opulence: British Art at the Dawn of the Twentieth Century, Yale Center for British Art, New Haven, 28 February – 2 June 2013, no. 89 (another example) Archie Plus, Art Gallery of New South Wales, Sydney, 26 September 2020 – 7 March 2021 (another example) LITERATURE M.H. Spielmann, British Sculpture and Sculptors of To-Day, Cassel & Company, London, 1901, pp. 132, 133, 134 (illustrated), 135 William Moore, The Story of Australian Art, Angus & Robertson, Sydney, 1934, Vol. 1, p. 202 (illustrated, another example) Herbert Badham, A Study of Australian Art, Currawong Publishing, Sydney, 1949, p. 136 Herbert Badham, A Gallery of Australian Art, Currawong Publishing, Sydney, 1954, plate 101 (illustrated, another example) Alan McCulloch, Encyclopedia of Australian Art, Hutchinson, Melbourne, 1968, p. 662 (illustrated, another version) Jeremy Cooper, Nineteenth-Century Romantic Bronzes, David and Charles, London, 1975, p. 92 (illustrated, another example) Cedric Flower, Erotica: Aspects of The Erotic in Australian Art, Sun Books, Melbourne, 1977, pp. 24 (illustrated, another example) Graeme Sturgeon, The Development of Australian Sculpture 1788-1975, Thames and Hudson, London, 1978, pp. 64, 65 (illustrated, another example) Ken Scarlett, Australian Sculptors, Nelson, Melbourne, 1980, p. 405 Jane Clark and Bridget Whitelaw, Golden Summers: Heidelberg and Beyond, International Cultural Corporation of Australia, Sydney, 1985, pp. 180, 181 (illustrated, another example) Juliet Peers, 'Angels, Harlots and Nymphs: Some Themes in Australian Allegorical Sculpture', Art and Australia, Fine Arts Press, Sydney, Vol. 25, No. 2, Summer 1987, pp. 213 (illustrated, another example), 214 Daniel Thomas (ed.), Creating Australia: 200 Years of Art 1788-1988, International Cultural Corporation of Australia, Sydney, 1988, pp. 128, 129 (illustrated, another example) Terence Lane, Nineteenth-Century Australian Art in the National Gallery of Victoria, National Gallery of Victoria, Melbourne, 2003, pp. 116, 117 (illustrated, another example) Robin Rhona Tranter, Bertram Mackennal: A Career, Parker Pattinson Publishing, Sydney, 2004, cat. no. 26, pp. 57, 100, 124-125 Deborah Edwards, et. al., Bertram Mackennal, Art Gallery of New South Wales, Sydney, 2007, cover (illustrated, another example), pp. 30 (illustrated, another example), 31-34, 168, 169 (illustrated, another example), 170-171 (illustrated, another example), 211 (illustrated, another example) Deborah Edwards and Denise Mimmocchi, Bertram Mackennal: Catalogue Raisonné, CD-ROM, Art Gallery of New South Wales, Sydney, 2007 (illustrated, another example) Angus Trumble and Andrea Wolk Rager (eds), Edwardian Opulence: British Art at the Dawn of the Twentieth Century, Yale University Press, New Haven, 2013, pp. 349 (illustrated, another example), 351, 410 Sasha Grishin, Australian Art: A History, The Miegunyah Press, Victoria, 2013, plate 17.5, pp. 166, 167 (illustrated, another example), 548, 564 PUBLIC COLLECTIONS Examples of this sculpture are held in the following collections: Art Gallery of New South Wales, Sydney Art Gallery of South Australia, Adelaide Art Gallery of Western Australia, Perth Bendigo Art Gallery, Bendigo Birmingham Museums and Art Galleries, Birmingham City Art Centre, Edinburgh National Gallery of Australia, Canberra National Gallery of Victoria, Melbourne (large)