작품 상세

金色微風．法老 Golden Winds Pharao 簽名題識畫背：Thierry Feuz 2020 Golden Winds Pharao Signed reverse Thierry Feuz, dated 2020 and titled Golden Winds Pharao 西瑞．菲茲1968年出生於瑞士，日內瓦藝術與設計大學碩士畢，目前在日內瓦居住、創作。在他的藝術世界中，藝術、科學、哲學是相遇的，他關心人類普世間共有的「存在」（Existence）之意義，並用獨有的繪畫技術呈現未曾可見之境域。作品獲瑞士歷史與藝術博物館、新加坡藝術基金會、美國薩克斯第五大道精品百貨公司，以及瑞士銀行等機構收藏。 西瑞．菲茲的作品，混合了多種繪畫基因，包括西班牙巴洛克時期細膩的靜物畫、波洛克的滴流畫、胡安．米羅的超現實主義、賽．湯伯利的古典神話。他將具體之物放入虛實之間，創造出一種無法被定義的繪畫。一切就像是存在16世紀荷蘭藝術家波希（Bosch）作品《人間樂園》（The Garden of Earthly Delights）的紀元前，繽紛色彩的小宇宙。一步步走入這樣的迷人風景，蘊藏了關於每個人生夢幻變形的時刻。 在極致嬌媚的外表之下，存在著脆弱卻也墮落的危險。菲茲的作品跨越文化及抽象的界線，這些捲曲的花萼及微生物，在充滿著矛盾、沒有邊界的空間中蔓延。在這裡，驚奇的美麗及脆弱並存，背後暗示著這樣美麗的平衡可以在一瞬間被毀滅，如同《詩經》中描繪的蜉蝣之姿，朝生暮死的蜉蝣生物，生命是如此短暫，絕對要活得絢爛。虛構的風景、豐饒的色彩、生命的律動，西瑞．菲茲藉由繪畫探問人生及人們存在的意義，在沒有邊界及場域界定的時空中，死亡與生命的意義將永遠並行。 Thierry Feuz was born in 1968 in Switzerland. He graduated with a Master’s degree from the Haute Ecole d’Art et de Design in Geneva, and currently lives and works in Geneva. Art, science and philosophy meet in his art world. He is concerned about the significance of the “existence” of all the humankind around the world. His works have been included in institutional collections of the Musée d’Art et d’Histoire, Neuchâtel, Switzerland, the Singapore Art Foundation, America’s Saks Fifth Avenue Enterprise, and the United Bank of Switzerland (UBS). Some clues to Feuz’s creative elements can be seen in the delicate still life paintings of Spain’s Baroque period, the drip paintings of Jackson Pollock, the surrealism of Joan Miró, and Cy Twombly’s classical mythology. Feuz places concrete objects between the real and the imagined and creates a kind of painting that defies definition. Everything is as in the primordial state of The Garden of Earthly Delights by the 16th century Dutch artist Hieronymus Bosch, a microcosmic universe of riotous colors. Walking step by step into this seductive landscape contains moments within it about magical transformation of each life. Under the superlative sensuality and appealing appearance, exists a danger of fragility and also a sliding into debauchery. Feuz’s work easily spans the boundaries of culture and abstraction. These calyces and microbes spread outwards in a space without boundaries and full of contradiction. Here, astounding beauty and fragility coexist, with the implied suggestion that such a beautiful balance can be destroyed in an instant. Like the condition of a mayfly described in the Classic of Poetry, which is born in the morning and dies at night, life is so brief that it has to be lived in brilliant splendor. Through fabricated scenery, rich colors, and the rhythm of life, Thierry Feuz explores life and the meaning of human existence through his painting. In absence of boundaries and delineated realms, the significance of life and death advance eternally in parallel.