작품 상세

萬紫千紅Floating Love 簽名畫背：Floating Love 73 萬紫千紅 採花大盜 筆 Signed on the reverse Ting, titled Floating Love in English and dated 1973 此件作於1973年的大幅油彩畫《萬紫千紅》在鮮黃色的背景上，潑彩揮灑的粉紅、青藍、黛綠及橘橙等纓絡垂旒、接踵而至，宛如置身春曉般，畫面盡是生趣，豐沛的情感間隱含東方留白的寫意精神，淡雅的底色如大地般滿滿的春意盎然。作品盡見丁雄泉火燙炙熱的情緒表現，以及瀟洒放盪的大幅度暢快筆觸，質感隨興而厚實，不禁令觀者聯想到其眼鏡蛇畫派。他純熟地運用美國抽象表現主義的潑灑和滴彩的技法，使絢爛繽紛的顏料鋪溢得虛實有致，洋洋灑灑地佔據整幅畫面。不難看出其響應附和，並轉化傑克遜·波洛克（Jackson Pollock）的繪法，他當時亦受「普普藝術」平面化地處理大塊空間的影響。可見他在汲取西方藝術養份的同時，試圖開創建立其獨特的喧鬧紛雜，卻又洶湧澎湃的藝術語言。 丁雄泉創作此畫的同年曾於美國匹茲堡的卡內基學院藝術博物館與山姆‧弗朗西斯（Sam Francis）及瓊‧米歇爾（Joan Mitchell）舉行聯展「新鮮空氣畫派」（Fresh Air School），此展更是由他命題。此派以大自然萬物的美為源源不絕靈感的繆斯，強調創作時的隨性隨機，皆來自藝術家個人的情緒和心理特徵。欣欣向榮的湖光山色都幻化成顏料，在原始慾望的驅使鞭策下和盤傾瀉而出，透露二合為一的自然和色彩渾然天成。絢麗的點彩交匯融合其中，於爛漫的空間中構建了時間與空間感。極盡燦爛的油彩所延伸出的光感、形狀、線條和能量，毫無疑問是最能代表丁雄泉的繪畫語彙。此作表達出對生命中種種的激情狂喜，奼紫嫣紅永遠在燦爛盛放的狀態。他所帶出一種當刻的視覺體驗，見證其多個及多角維度。他的一瞬被永恆定格在畫布，提醒著觀者活在當下、率性面對自我的人生哲學。 This large-scale oil painting “Floating Love” was created in 1973, on top of its bright yellow background, there are splashes of colors such as pastel pink, sky blue, green and orange. The picture is composed in the harmonic orchestra of spring season, full of vitality and embracing with the joy of life. The artist's red hot emotional expressions, as well as the unrestrained and invigorating brushstrokes are clearly visible in this painting. The texture though is casual but rather concrete simultaneously, the viewer cannot help but think of his avant-garde group CoBrA. He skillfully applied the splashing and dripping techniques, which are noticeably seen in American abstract expressionism, the rich and colorful paints then overflow the entire picture and finally masterfully reach the delicate balance to radiantly occupy in the end. It is not difficult to see that his response echoed and transformed Jackson Pollock's drawing method, he was also influenced by the “Pop Art”, where the composition of the painting is left empty with blank space, just the flat surface backdrop. Understandably while absorbing the nourishment of western art, he is also trying to create and establish his unique yet turbulent artistic language. In the same year the artist made this painting, he held a joint exhibition with Sam Francis and Joan Mitchell and propositioned as “Fresh Air School” at the Carnegie Museum of Art in Pittsburgh, USA. This school takes the beauty of all things in nature as an endless source of inspiration, and emphasizes the randomness of creation, which all come from the artist's personal emotional and psychological characteristics. The thriving lakes and mountains are all turned into colors, driven by primitive desires and pouring out, revealing the united nature and paint two become one. Those splendid stipplings merge together to create a sense of time and space, the light perception, shape, line and energy expressed by the extremely immersive oil paint, which undoubtedly are the most representative painting vocabulary of the artist. This painting exhibits the passion and ecstasy in life, with colorful flowers always in full bloom. He brings out a distinctive visual experience of the moment, witnessing his wide range and multi-angle dimensions. His moment is ever immortalized on the canvas, reminding viewers of his philosophy of living in the present and facing oneself with honest and sincere.