작품 상세

Aboriginal Artist George Milpurrurru was raised in his father’s country, Ngalyindi, the Ganalbingu outstation, which straddles a ridge to the east side of the Arafura swamp in Central Arnhem Land. The swamp, in the middle section of the Glyde River, is home to flocks of water birds, freshwater plants, snakes, and a rich array of other flora and fauna. This Eden became the wellspring from which Milpurrurru drew his artistic inspiration. He began to paint under the guidance of his father, Nhulmarmar and, as Judith Ryan observed, 'Nhulmarmar’s art prefigures that of his son, Milpurrurru, in its capricious reversals of tone and patterning and its graphic power'. Indeed, Milpurrurru’s mastery over the play between foreground and background characterises his paintings in which blocks of flat colour and intricate rarrk cross-hatching create a strong graphic effect. His style traversed stylistic conventions across Arnhem Land and synthesised these into highly designed compositions. In doing so he drew on the aesthetic traditions of Western Arnhem Land artists who applied cross-hatching solely within the figurative or schematic motifs of the work, while at the same time borrowing on the Eastern Arnhem Land convention of leaving figures unadorned. Yet even in this variation, Milpurrurru stood outside Eastern Arnhem Land conventions in preferring to create complex arrangements of intersecting patterns.