작품 상세

A cartography of human forms within amoebic shapes, simulating movements through the parallel lines… a limb, a torso. Suggestions of postures and even interactions. A complex melange of physical communications, animated and truncated. Datuk Ibrahim Hussein expertly honed on his ribbons of rhythmic lines to denote forms and movements, and he could have done it blindfolded, with his painting hand moving almost spontaneously, instinctively and inexorably towards the final copulation. Datuk Ibrahim Hussein has an impeccable international profile with the accolades of the World Economic Forum's Crystal Award (1997), Venezuela's Order of Andres Bello (1993), Chile's Order of Bernardo O. Higgins (1996), the Japan Foundation Cultural Award (1988), and the Monte Carlo Contemporary Art Award (1984). He was the first Malaysian taking part in the Venice Biennale under the Smithsonian Institute Workshop programme in 1970. In 1977, he was chosen to exhibit with Andy Warhol and Salvador Dali in the tripartite masters exhibition in Kuwait. He was accorded a Retrospective by the National Art Gallery in 1986. In 2007, he was awarded the Anugerah Tokoh Melayu Terbilang, apart from the Datuk titles three times. His art tutelage was at the Byam Shaw School (1959-1963) and the Royal Academy in London (1963-1966). He is also remembered for setting up the Ibrahim Museum and Cultural Foundation (Langkawi), which ran his museum, now defunct, and the first Langkawi International Festival of Arts (LIFA). Ib, as the artist is popularly known, was also the prime-mover behind the Club Mediterranee Asian Arts Festival in Cherating (Pahang) and Bali.