작품 상세

Qiaoming Mi, was born in Dalian, China, 1986, is currently a member of the Chinese Artist Association, and serves as a researcher at the China Art Research Institute,the president of China National Magazine, and the director of China Culture Administration Association. She got her Doctor's degree from Repin Academy of Fin Arts, Russia. Mr.William Jefferson Clinton had a cordial meeting with Qiaoming and collected her work "The Drunken Beauty of Yang Yuhuan", 2015. In Chinese traditional culture, 20% is the “Hundred schools of Thought”, traditional religions takes another 20%, the rest goes to the tales form the tombs. Mi dauntlessly mixes the great contradiction between dead and alive. Furthermore, it emphases the two leading topics of the Chinese: the living spirit and the sustenance after death. Why would a clay figure buried with the dead dance exactly where the sacred Buddhism wall painting? What is the idea this painting trying to say? Is it a end? A start? Is it the desire toward faith? Or the desire of immortality? Like one inscription on the gravestone found on a Song Dynasty tomb: “A tomb can be reopened, man will not stop aging.” 60*80cm.